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Old 02-20-2007, 04:24 PM
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Japan-Jamaican: bilateral relations

The colors of summer
Reggae Japansplash 2002
By Gardner Robinson
The stadium was awash in reds, greens and yellows and, as if on cue, the sun burst out from behind morning clouds while reggae rhythms filled the air. On Saturday, August 24th, Japan’s premiere reggae bash returned to Japan after a one year hiatus and was warmly greeted by a raucous crowd at the Yomiuri Land outdoor amphitheater. The reggae festival first appeared in 1985, arguably making it the first major outdoor music festival in Japan, and over the years has welcomed some of reggaes brightest and upcoming stars to Japan.
This year’s guests included roots legend Marcia Griffiths, one of the original I-Threes (the famous backup singers for Bob Marley and the Wailers), and Beres Hammond, perhaps Jamaica's greatest active singer/songwriter, as well as other talented reggae stars from Jamaica and Japan. The lineup may not have had as many big names as past Japansplash shows, but great music and rasta vibes filled the air to the delight of an enthusiastic capacity crowd.
The show started as the Harmony House Band warmed up the crowd and kicked off the afternoon. They were followed by the Caribbean rhythms of Sadiki and a dynamic performance of one of Jamaica’s up-and-coming artists, Ginja. The Harmony House Singers appeared next and performed a selection of reggae greats to the delight of the boisterous audience that responded with approving cheers.

The ladies set the stage for once-child-prodigy Kashief Lindo, whose father wrote and produced some of reggae’s most popular songs, and who grew up in recording studios surrounded by some of Jamaica's legendary artists. Dancehall regular Admiral Bailey kept the groove going with a strong set leading into the intermission.
A glance across the stadium and it was easy to see that the crowd was having a great time - fully enjoying the irie riddems. Bare-chested guys and bikini topped girls were the norm rather than the exception and water canons were routinely fired through the crowd to provide a much needed cooling off in the mid-day heat. Some guests chose the shade of trees that lined the upper reaches of the venue, but it was no less festive as friends old and new celebrated their collective passion for reggae music.
Having been to countless music festivals in Japan (including that big one that started near Fuji), and possessing a healthy appreciation for reggae, Japansplash had the best crowd and the best atmosphere bar none.
The second set appropriately began with Japanese reggae singer Nahki. Nahki was a driving force in bringing Japansplash back to Japan and the crowd showed their firm support. He has spent a lot of time in both New York and Jamaica developing his skills, and it seems to have paid off as he got the crowd going.

After Nakhi came the first of the old-school performances. The Wailing Souls rose out of the same Kingston ghetto as reggae greats Bob Marley, Peter Tosh and Jimmy Cliff. Having recorded on Marley’s Tuff Gong label the group has been pumping out great music since the sixties. The dynamic duo of Winston 'Pipe' Matthews and Lloyd 'Bread' McDonald rocked the house with an energetic performance and soulful vocals.
The Souls finally stepped aside and made way for “the Queen of Reggae�. Simply put, Marcia Griffiths is reggae royalty. Having started her illustrious career in the 60's at the legendary Studio One, and reaching the top of the music world with Bob Marley, she has been making beautiful music on her own for years and has an endless list of hits.

How many of you have had one too many shots of jagermeister and found yourself on the dance floor doing the electric slide? (You can thank Marcia for that.) The Queen’s grace and presence was evident as soon as she stepped on stage and the audience seemed to sense that they were witnessing someone who was a living piece of music history, and who undoubtedly could still get her groove on.
Following Marcia Griffiths is no small task, but one of the few people that can pull it off is Beres Hammond. The mastermind behind the Harmony House label, Hammond is one of the most revered entertainers in reggae today. Donning his trademark black cap, Hammond reached deep down for each song and poured his love out to an appreciative crowd that was still a frenzied mass of energy well after darkness set in.
Griffiths came back out for a warm and soulful duet with her old friend, which highlighted a powerful evening set. The finale featured the return of the rest of the artists for one last collective croon, and to put the finishing touches on a great day of music. The crowd inevitably left wanting more, and for everyone’s sake let’s hope that Japansplash will be back next year. The music, the vibes and the audience were just too good not to.
If you’ve never been to Japansplash you must experience it for yourself . It's hard to describe the positive energy that flows between the performers and the audience and throughout the crowd itself. However it's easy to see on the smiles that are spread across people's faces. If the show could be captured on canvas it would be filled with the colors of summer - undoubtedly swathed in red, green and gold.

Source
Embassy of Japan in Jamaica
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Old 06-02-2007, 10:41 AM
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Japan is trying to leech and sanitize our culture, I'm pretty sick of having Japanese guys trying to buy me at dancehall competitions. Its nice that they like our music but Japanese sexualized it to much.
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Old 06-03-2007, 07:37 AM
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Originally Posted by BashmentGal View Post
Japan is trying to leech and sanitize our culture, I'm pretty sick of having Japanese guys trying to buy me at dancehall competitions. Its nice that they like our music but Japanese sexualized it to much.
That's a first....where did you get that? And what do you call "your" music?

I think you're hanging out with the wrong Japanese....Especially if you are the type of person to bunch people up in one big group and judge them...

The crowd that would go to the event the original poster mentioned is not going to be at a Ball room dancing buying people.......
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Old 06-03-2007, 11:47 AM
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Originally Posted by Mangohare View Post
That's a first....where did you get that? And what do you call "your" music?

I think you're hanging out with the wrong Japanese....Especially if you are the type of person to bunch people up in one big group and judge them...

The crowd that would go to the event the original poster mentioned is not going to be at a Ball room dancing buying people.......
Dancehall, Reggae, Soca Calypso, Island music is my music because I am an West Indian. Japanese have been leeching it for years. There are many Japanese that have a lot of respect for it and are really great artist like Junko Kodo, but there are so much that seem to want to take our culture and leave us out of it, or worst want to mock the black and native people that invented it.

The point is you ain't supposed to be trying to pay a dancehall dancer as she is not a stripper but in Japan , a lot of these girl call themselves Dancehall dancers and say they are Erotic entertainers and that is where the confusion lies.
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Old 06-03-2007, 11:56 AM
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Originally Posted by BashmentGal View Post
Dancehall, Reggae, Soca Calypso, Island music is my music because I am an West Indian. Japanese have been leeching it for years. There are many Japanese that have a lot of respect for it and are really great artist like Junko Kodo, but there are so much that seem to want to take our culture and leave us out of it, or worst want to mock the black and native people that invented it.

The point is you ain't supposed to be trying to pay a dancehall dancer as she is not a stripper but in Japan , a lot of these girl call themselves Dancehall dancers and say they are Erotic entertainers and that is where the confusion lies.
I feel so much hatred in your words. It's coming straight at me because I'm Japanese...What have I done to you?...

I have many close friends from central and northern regions like Jaipour. I'm saddened that you have that kind of experience....

Are they taking advantage of music or people? I don't see how one would leech a morning rag.....but...maybe you can tell me.
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Old 06-03-2007, 12:33 PM
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Originally Posted by Mangohare View Post
I feel so much hatred in your words. It's coming straight at me because I'm Japanese...What have I done to you?...

I have many close friends from central and northern regions like Jaipour. I'm saddened that you have that kind of experience....

Are they taking advantage of music or people? I don't see how one would leech a morning rag.....but...maybe you can tell me.
I have no distaste for Japanese people as a whole, but i don't like the way y culture is being made a fad. This is not exclusive to Japan, it happens in America by American blacks and other Asian countries like Korea. Would you like someone making a quick buck off a watered down version of YOUR culture then getting angry at you when you acknowledge it. We take our culture seriously because it is the essence of who we are as a people. I don't like to see other take it lightly and twist it into something it is not. This thread was bout Jamaican Japanese relations and I was commenting on one aspect of it. I don't like being hyper sexualized as a Caribbean woman , and I don't like my culture getting the same treatment.

Are you comparing my culture to a washcloth?

Last edited by BashmentGal; 06-03-2007 at 12:36 PM.
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Old 06-03-2007, 01:16 PM
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Originally Posted by BashmentGal View Post
I have no distaste for Japanese people as a whole, but i don't like the way y culture is being made a fad. This is not exclusive to Japan, it happens in America by American blacks and other Asian countries like Korea. Would you like someone making a quick buck off a watered down version of YOUR culture then getting angry at you when you acknowledge it. We take our culture seriously because it is the essence of who we are as a people. I don't like to see other take it lightly and twist it into something it is not. This thread was bout Jamaican Japanese relations and I was commenting on one aspect of it. I don't like being hyper sexualized as a Caribbean woman , and I don't like my culture getting the same treatment.

Are you comparing my culture to a washcloth?
Before you flaunt your experiences with the lowest of the lowest Japanese populous....

I don't think you know that many Japanese think everything came from India. Most think everything came from china......I tend to agree with most of those theories about India being the origin.....Anyhow west india is a mix of east indian culture and indigenous island animisms...It's kinda similar to culture of okinawa...

What do you mean by hypersexualize?

So far you have not made any articulation that explains your statements...all I read is hate.And some ignorance..can you articulate some points? Did a Japanese guy break your heart or somthing?

The original post is positive post...You're post is totally negative with no articulation...Just vague accusations....

I would be the first to criticize japan and it's shallow use of money...but when You come at me with spit without even knowing me personally I start digging for justice...You started it..Please articulate...an example of an article perhaps?

Now where does this one come from?

"I have no distaste for Japanese people as a whole, but i don't like the way y culture is being made a fad."

This one can be interpreted in many ways....I wont go there unless I have to....but I would like to know...Why??????do you not like some culture you hardly know.

It sounds like some kind of cultural overpride...I've always thought that both Japanese and Indians were too sentimental about culture... Japanese sold suicide to the media as glory..and the Indians are killing themselves with sugar because Krishna ji liked sweets...acha..

Last edited by Mangohare; 06-03-2007 at 01:56 PM.
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Old 06-03-2007, 01:33 PM
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Quote:
Originally Posted by Mangohare View Post
What do you mean by hypersexualize?

So far you have not made any articulation that explains your statements...all I read is hate.And some ignorance..can you articulate some points? Did a Japanese guy break your heart or somthing?

The original post is positive post...You're post is totally negative with no articulation...Just vague accusations....

I would be the first to criticize japan and it's shallow use of money...but when You come at me with spit without even knowing me personally I start digging for justice...You started it..Please articulate...an example of an article perhaps?

Now where does this one come from?

"I have no distaste for Japanese people as a whole, but i don't like the way y culture is being made a fad."

This one can be interpreted in many ways....I wont go there unless I have to....but I would like to know...Why??????do you not like some culture you hardly know.

I don't think you want to hear what I'm saying. I have said nothing that was anti japanese. I have no h